The work of Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one key story turn, but it results in a comically executed chaotic run on the forest trails that dips close to rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
Game is in UK and Irish cinemas from November 17.